| The sloped ramp follows the curvature of the building, allowing Auto Fabrica to move their product from their studio to the gallery space seamlessly. The staircase continues to exhibit the curvaceous form of its surrounds, along with the irregular balustrades. The spiral staircase constructs a space of continuous movement, providing Bernabei Freeman with an organic and accessible pathway to bring her works down into the gallery. The combination of the ramp and stairs explores the notion of circularity, simultaneously drawing from the curvature of Auto Fabrica's motorcycles and the organic nature of Bernabei Freeman's outdoor planters. |
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